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GullySales

Residential interior designers · CRM

Keep every quote, family and follow-up in one place instead of in phones.

A CRM for an interior studio is a single record of every enquiry, quote and signed home, with the family's decision-makers and the next call noted. GullySales works on choosing a simple tool and setting its fields around how your studio sells.

Scope, fee, reporting and term are agreed in writing after we have read your brief and spoken to you.

Realistic editorial illustration of architecture firms at work in India

What CRM means

A CRM is the record where every enquiry, call and quote is kept against a customer, replacing separate notebooks, spreadsheets and memory. GullySales sets up or cleans an existing CRM and reports from it by enquiry outcome rather than by activity logged.

Last updated 13 Nov 2026.

For residential interior designers

Where it usually goes wrong, and what we would do.

  • “Quotes sit in a designer's phone”

    When the enquiry lives in one WhatsApp chat, nobody else in the studio can follow up if the designer is on site. A shared record means a quote is never lost because a person is busy or leaves.

  • “The family decides in rounds”

    The couple agree, then the parents weigh in, then a rival studio visits. A record that notes these rounds lets the next call start from where the family stands, not from the beginning.

  • “A heavy tool goes unused”

    A system with dozens of fields is abandoned by a studio of a few people. A short list of fields that match your steps, from floor plan to site visit to quote to sign-off, stays in use.

What we do

What we deliver for residential interior designers.

The work available for this need. We agree the deliverables and responsibilities for your engagement in writing.

  1. Tool choice and set-up

    A review of simple tools in ordinary use in India and a set-up with the stages of your own sales steps.

    Result: Your studio holds one record, set up around how you sell.

  2. Field list for a home enquiry

    Home size, location, possession date, budget band, who decides, source and the other studios the family is visiting.

    Result: Each enquiry carries the facts that decide a quote.

  3. Stage map from floor plan to sign-off

    Named stages with the action that moves a family from one to the next.

    Result: Everyone in the studio calls a stage by the same name.

  4. Import of existing enquiries

    A clean-up and import of past enquiries from sheets and chats.

    Result: Old quotes are in one place and can be followed up.

  5. Habit guide for the team

    A short note on who updates what, and when, after each call or site visit.

    Result: The record stays current without extra meetings.

How the result is measured

  • Enquiries logged in the CRM
  • Data completeness
  • Reports generated from CRM data

Recorded as a baseline before work starts, so every later report has an honest comparison.

Fields worth keeping

The fields a studio needs against each family and each quote.

Project and tower
Filled by whoever takes the enquiry. It lets you find every family in one builder's project and send the right pack or reference home.
Flat size and layout
Entered from the floor plan. It lets the designer pull a similar finished home before the visit, instead of searching phone galleries.
Scope and exclusions agreed
The designer fills it at quote time. It protects both sides when a family later asks why a ceiling or appliance was not included.
Decision-maker and the next date
Filled after every call. It shows which quote is waiting on a parent, and who must be called back.
Quote version and revision reason
Entered by the designer. It shows why a quote changed, whether by scope or by material, so a later discussion starts from facts.
Reason for a lost quote
Marked by whoever follows up, in the family's words. A pattern of price or timeline reasons guides what the studio changes.

Who it is for

This is written for these residential interior designers.

  • Studios for 2BHK and 3BHK apartments
  • Designers for villas and independent houses
  • Modular package and turnkey home interior studios
  • Luxury home interior designers
  • Designers for renovation of older homes
  • Studios tied to a single large builder or township
  • Designers for non-resident families furnishing a home remotely
  • Small studios run by one designer and a site supervisor

Not for

It is not the right fit if.

  • You have one or two quotes open at a time, so a pad of notes tracks them well enough for now.
  • Nobody on the team will update the record after a call, so the CRM would hold old facts and mislead the next person.
  • You want a CRM to fix slow replies, which depend on who is available to answer and not on where records sit.

Before you decide

Agree the work. Know how to judge it.

CRM for residential interior designers: use these checks to prepare, choose the scope, and review what changes.

Bring the right evidence

List the records your team uses and show how an enquiry becomes an order today. Bring examples of duplicate entries, missing owners, and reports that require manual correction.

Make the scope clear

Agree the stages, required fields, access roles, and integrations before configuring the system. Separate software subscriptions from setup, data work, and training.

Check the work in use

Ask the people who will use the CRM to complete a real handover and find the next action without help. Check that the management report can be traced back to individual records.

Know when to change course

If the process is unclear, buying a more complex CRM adds more places for confusion. Start with the minimum fields and rules the team can use consistently.

These are discussion points, not a fixed package. GullySales confirms the deliverables, responsibilities, fee, and term in writing after reading your brief and speaking with you.

Before we start

What to have ready before the work starts.

The records, access and decisions this work needs from residential interior designers. Anything missing is noted in the written scope, with who will supply it.

Exports or photographs of existing enquiry records
Bring chats, spreadsheets and notebook photographs. We type them in. Neat is not needed. If records are missing, the tool starts empty and the baseline builds from new enquiries, which postpones any comparison.
A named owner of the CRM in the studio
A single person has to run the tool, date every next step and vouch for the data. Without a named owner, each designer enters records their own way, and the sheet is untrustworthy soon after the start.
The list of designers and who will log
List who takes calls, visits flats and sends quotes, and how each will enter data. A tool a designer cannot use between site visits will be skipped, so their route decides the choice.
A set of reasons families give for not signing
Write the reasons you hear: budget, timeline, another studio, builder's own package, family disagreement. They become the lost-reason list. Without it, the team types free text and nothing can be counted.
Agreement that records belong to the studio
Decide that the records sit in a studio account and not on a designer's personal phone. If a designer leaves with the contacts, the history goes with them. Settle this before the import, so the studio does not discover afterwards that the only copy of a family's history sits on a phone that has left.

How it works

How the CRM work runs

The work itself, in order. How an engagement starts, from your brief to a written scope, is set out on our method page.

  1. 1

    Gather quotes from designers' phones

    We start by collecting what exists: enquiries in each designer's phone, quotes sent from laptops and notes in a book. Each is copied into one sheet, with originals untouched. You show us which quotes are signed, live and lost, because the old files tell us what stages your sale really has.

  2. 2

    Draw the stages from floor plan to sign-off

    Together we list the steps a family passes: floor plan received, first call, site or flat visit, concept shown, quote sent, revised quote, signed, work, handover. You rename or drop stages until the list is how you talk. A stage nobody can recognise is removed.

  3. 3

    Choose a tool the designers will open

    We show two or three simple tools, or a shared sheet, on the phones the designers carry, and test whether they can log a visit in a few taps. You choose the one that will be used, not the one with the longest list of features. A heavy tool that goes unused is worse than a plain sheet.

  4. 4

    List the fields for a home enquiry

    We cut the fields to what a call or visit yields: name, number, flat size, builder or project, possession date, rooms in scope, who decides, source and the next step with its date. You test it on a live enquiry and strike out whatever you skipped. Fields for the family's second decision-maker and for the possession date are kept, because both change how the next call is planned.

  5. 5

    Import old enquiries and set the next call

    We load the enquiries from the phones and notebooks into the tool with their stages and give each open family a next-step date that the designer sets. You review the oldest with us and decide which to close and which to call.

  6. 6

    Write the habit guide and read the lost reasons

    A one-page guide says who enters what and when, in terms of events, not time. At review we count enquiries, visits, quotes and signed homes against the figures taken from your old files and read the reasons given for lost quotes. You decide what to change in the quote or the visit.

Where this fits

Three pieces of sales work, in this order.

This work sits inside sales management. A target, a review routine and someone who owns the number.

  1. Step 1

    Sales audit

    Find where deals are being lost and what to fix first.

    Start here if you cannot say where orders are lost.

  2. Step 2

    Sales process design

    One written way to sell, from first enquiry to repeat order.

    Start here if every salesperson sells differently.

  3. Step 3 · you are here

    Sales management

    A target, a review routine and someone who owns the number.

    Start here if the team has targets and no routine.

Tell us what you need Your brief is read before we call. Scope, fee and term in writing.

FAQ

Questions owners ask before they call.

Not here? More answers, or ask on WhatsApp.

Is a spreadsheet enough to start with?
A spreadsheet works while volume is low, provided every quote has a row and a next date. Move to a CRM when more than one person handles enquiries and things begin to slip.
What should we record about the family?
Record what shapes the quote: home size, possession date, budget band, who decides and what they said. Keep personal details to what you need, and store them with care.
Who owns the CRM in a small studio?
One person should own it and chase updates, preferably whoever handles quotes. The designers add notes after visits, and the owner reviews the quotes that are open.
Can the site supervisor use the CRM too?
Yes, for the fields about the site, such as handover date and snags. Keep the commercial fields visible only to the people who handle quotes, so a supervisor sees what they need and a client record stays tidy.
Can a spreadsheet do the job at first?
Yes, for a small studio a shared spreadsheet with the right columns and a next-step date is enough to begin. We design it so it can be moved into a tool later without retyping. The test is whether the designers keep it up. If they do, you need nothing more. If entries lapse, a tool with phone reminders is worth trying, and we choose one with you. Check any tool's current plans and data terms before you pay or load family details.
What should I record about the family?
Record what helps the next conversation: who decides, the flat size, the possession date, the rooms in scope, the budget they stated, the concerns they raised and the next step. Leave out religion, health and anything the family did not offer for the purpose. Personal details are the family's, so store them in an account the studio controls and ask your own adviser how long to keep them. The lost-reason field teaches you the sale better than any other, so keep it honest.
How much does it cost?
There is no price list, because the work differs by business. The fee is scoped after we have read your brief and spoken to you, and put in writing before anything starts, split into our time, your media spend and production.
How long is the contract?
The term is agreed in writing after we have spoken, along with the fee and the reporting. It is never a default twelve months, and renewal is decided on the numbers against the baseline recorded at the start.
How soon will we see results?
It depends on the trade, the channel and what is already in place. After we have read your brief and spoken to you, we say what we would expect to move first and how it will be measured against the baseline. Nothing here is guaranteed.
Who will actually do the work?
The person you speak to before anything starts. We work from one office in Nagarbhavi, Bengaluru, with no account managers in between.

Your next practical step

Tell us what you are trying to grow, and we will read it before we call.

Eight short steps, mostly taps. Skip anything you would rather answer on the call.