Recording studios · CRM
Keep every artist, band and agency in one list, with the last project beside the name.
A CRM for a recording studio is a single record of every person and company that has enquired, booked or recorded, with the project, the date and the next step. GullySales works on setting up that record, choosing a tool the team will actually open and agreeing what gets entered after each session.
Scope, fee, reporting and term are agreed in writing after we have read your brief and spoken to you.

What CRM means
A CRM is the record where every enquiry, call and quote is kept against a customer, replacing separate notebooks, spreadsheets and memory. GullySales sets up or cleans an existing CRM and reports from it by enquiry outcome rather than by activity logged.
Last updated 18 Oct 2026.
For recording studios
Where it usually goes wrong, and what we would do.
“The contact list lives in the engineer's phone”
Numbers saved under first names, with no note of what was recorded, mean that the studio cannot tell a past client from a stranger. When the engineer is away, nobody else can reply with any knowledge.
“A project has stages, not just a date”
An enquiry becomes a quote, a booking, a recording, a mix, revisions and a delivery. If the record shows only the date of the session, the studio forgets the mix that is waiting for approval.
“Files and payments belong beside the contact”
Who paid the advance, which version was approved and where the session files are stored are questions asked months later. A record that holds those answers saves a search through chats.
“A heavy tool will be abandoned”
A system with a long list of fields that no one fills in is worse than a simple sheet. The record must be quick enough to update between sessions or it falls out of use.
What we do
What we deliver for recording studios.
Every deliverable, what it covers for you, and the result it is there to produce. Nothing here is an extra.
A simple record for each person
Name, how they found you, what they recorded, the date, the amount, the status and a note, set up in a sheet or a light CRM tool.
Result: Any team member can find the history of a client.
Project stages defined
A short list of stages from enquiry to delivery, agreed with the engineer and used as a status on every project.
Result: You can see at once what is waiting on you and what on the client.
An after-session routine
A short list of what to enter once a session ends: the work done, the files location, the next step and the date to follow up.
Result: No session ends without the record updated.
Tags for source and type of client
Labels for singer, band, agency, school and institution, and for Instagram, referral, map listing and walk-in.
Result: You can sort the list to see who comes from where.
A clean-up of the existing contacts
Merging duplicates, adding the missing project notes and marking the clients who have gone quiet.
Result: The starting list is usable from the first day.
How the result is measured
- Enquiries logged in the CRM
- Data completeness
- Reports generated from CRM data
Recorded as a baseline before work starts, so every later report has an honest comparison.
Who it is for
This is written for these recording studios.
- Music recording studios for singers, bands and independent artists
- Mixing and mastering studios taking files from outside
- Voice-over and dubbing studios for ads and films
- Audiobook and narration recording studios
- Jingle and ad audio studios working with agencies
- Studios inside music schools and academies
- Home studios and project studios run by one engineer
- Rehearsal and recording studios sharing one building
How it works
How the CRM work runs
The work itself, in order. How an engagement starts, from your brief to a written scope, is set out on our method page.
- 1
Map the sales process
We record how a deal actually moves from enquiry to close in your business today.
- 2
Configure stages and fields
The CRM's pipeline and fields are built to match that process exactly, not a generic template.
- 3
Set up automations
Reminders, assignment rules and follow-up triggers are configured so routine steps happen without manual effort.
- 4
Test with real deals
We run the configuration against actual current deals to catch gaps before the whole team relies on it.
Where this fits
Three pieces of sales work, in this order.
This work sits inside sales management. A target, a review routine and someone who owns the number.
Step 1
Sales audit
Find where deals are being lost and what to fix first.
Start here if you cannot say where orders are lost.
Step 2
Sales process design
One written way to sell, from first enquiry to repeat order.
Start here if every salesperson sells differently.
Step 3 · you are here
Sales management
A target, a review routine and someone who owns the number.
Start here if the team has targets and no routine.
FAQ
Questions owners ask before they call.
Not here? More answers, or ask on WhatsApp.
Is a CRM too heavy for a small studio?
Can we store artists' files in it?
How much does it cost?
How long is the contract?
How soon will we see results?
Who will actually do the work?
What do you need from us?
What if we are not happy with the work?
More for recording studios
Everything else we would do for you.
Closest to this: leads and follow-up
Also for recording studios
Or start from the overview: sales and marketing for recording studios.
Your next practical step
Tell us what you are trying to grow, and we will read it before we call.
Eight short steps, mostly taps. Skip anything you would rather answer on the call.