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Buyers pick the practice whose past work they can verify and who stays in touch.

A family has bought a flat and receives the keys next month. They save photographs of rooms they like, ask a cousin who recently renovated, and ask two or three designers to visit the site. Each sends a mood board and a quote. The family decides over several weeks, and the designer who called back after the visit, with a quote that made sense, is the one still in the conversation.

Scope, fee, reporting and term are agreed in writing after we have read your brief and spoken to you.

Realistic editorial illustration of architecture firms at work in India

In one paragraph

Architecture, interior and design is the work of planning and designing buildings, interiors and their technical systems, from architects and interior designers to lighting, furniture, visualisation, BIM and engineering consultants. GullySales looks at how those clients find a practice, what finished work and proof they can check, and how well enquiries and proposals are followed up.

The seventeen trades here sell differently. A residential architect or interior designer is chosen by a household on trust and portfolio. A commercial fit-out firm answers to a committee and a launch date. A structural, MEP or BIM consultant is picked by an architect or developer before the end client ever hears the name. What they share is a service that is hard to judge before it exists, long decisions, proposals that go quiet and referrals nobody tracks.

Last updated 18 Oct 2026. Rules on what you may advertise differ by trade and change. This page describes them in general terms only, so check the current position with your own adviser or regulator.

19 kinds of business

Each kind of business in architecture, interior & design sells a little differently.

Open the page closest to yours for how its buyers choose and what we would fix first.

Architecture firms

The buyer chooses a practice rather than a project, so a portfolio sorted by project type and visible experience with approvals matter more than any one drawing. Shortlisted proposals need a record, and tender proposals a template.

Read the page for architecture firms

Residential architects

The buyer is a family building once, with a plot and a budget. Trust comes from finished homes of a similar size, and the first question is a percentage fee before anyone has seen the plot.

Read the page for residential architects

Commercial architects

Clients are developers, company owners and institutions who compare track record on offices, hospitals and warehouses. A place on the list before the brief goes out matters, and so does a practice that shows focus and can pitch beyond the principal.

Read the page for commercial architects

Landscape architects

The call comes after the building is complete, so the pitch is about being briefed at masterplan stage. A garden needs time to mature, so photographs taken over time carry more than a plan.

Read the page for landscape architects

Interior designers

The broad trade: a client wants a whole home or office finished, and chooses on the mood board, a sense of budget and whether the designer listened. Quotes sent with no call afterwards are where jobs slip away.

Read the page for interior design firms

Residential interior designers

The keys are in hand and a handover date is in mind. The decision is shared and slow, the first question is a rate per square foot, and finished homes at a comparable budget are the strongest proof.

Read the page for residential interior designers

Commercial interior designers

The client is a shop, clinic or restaurant owner with a signed lease and an opening date. Credibility comes from fit-outs for similar businesses, which a portfolio of homes does not give, and from a plain account of how permissions are handled.

Read the page for commercial interior designers

Office interior designers

An admin head or founder worries about seating, meeting rooms and disruption to staff, and the decision then passes through finance and management. Photographs of offices in use say more than lobbies.

Read the page for office interior designers

Retail store designers

Will the store sell more, or only look good? Brands and franchise owners want a layout that guides customers and repeats across outlets, and the first store is the way into the roll-out.

Read the page for retail store designers

Hospitality interior designers

Hotels, restaurants and cafes hire on atmosphere, and owners compare finished venues, so hospitality work must show on the website rather than only homes. Concepts shared in a meeting can end up with a contractor, so the proposal trail matters.

Read the page for hospitality interior designers

Modular kitchen designers

Sold at the showroom with a 3D design that the family takes home to think about. A follow-up call after the design is shared matters, as does explaining the materials and fittings that make the quote look higher.

Read the page for modular kitchen companies

Furniture designers

Buyers are interior designers, hoteliers and homeowners who commission a piece or a range. Admirers of a post rarely ask the price, so a clear route from sketch to delivered piece, with process photographs, gives them one.

Read the page for furniture designers

Lighting designers

An architect or interior designer brings the specialist in, so referrals matter, ideally before the ceiling is closed. The effect of light is hard to show, and photographs of lit rooms carry the proof.

Read the page for lighting designers

3D architectural visualization studios

Clients are architects, developers and sales teams who need images and walkthroughs for approvals and launches. They compare a studio with a freelancer on price per image, so clear revision terms matter, and a portfolio only on Behance may not be seen.

Read the page for 3d architectural visualization studios

Building information modelling consultants

A technical service that buyers struggle to picture, taken for a 3D drawing. Proof is a coordinated model that caught clashes before site work, explained for contractors and project owners, even where client confidentiality limits what can be shown.

Read the page for building information modelling consultants

Structural engineering consultants

Work comes from a few architects, plot owners and apartment associations asking for a structural audit, and fees are compared with engineers who charge per sheet. A record of buildings designed and audits completed carries weight.

Read the page for structural and civil engineers

MEP consultants

Appointed by architects and developers for air conditioning, power, water and fire systems, and compared on a percentage of project cost. Developers fix the consultant list early, so building-type proof and coordinated drawings are what to show.

Read the page for mep consultants

Land surveying companies

A nervous buyer calls the surveyor already saved in the phone when the worry started, so the winner is the name whose sketch the sub-registrar accepted and whose reply says exactly what arrives at the plot.

Read the page for land surveying companies

Product and industrial design studios

The owner who has never bought a design fee says yes to the studio that proves a sketch became a part off a mould, and splits the scope into a paid concept round first.

Read the page for product and industrial design studios

What they share

What usually goes wrong across architecture, interior & design.

Whichever of these you run, you will probably recognise most of them.

  • “Our past work is shown without the brief behind it”

    A buyer looks for a job like theirs. Work listed with no type, size or brief leaves them guessing whether we can do their job.

  • “We send the proposal and then wait”

    A quote or fee proposal goes out and the next move is hope. Weeks later the client has signed with someone who phoned, and nobody here knows why we lost.

  • “Most of our work comes by referral and we cannot say from whom”

    Other professionals, builders, developers and past clients send the best jobs, yet no one records who sent what. A source that stops sending is noticed only when the pipeline thins.

  • “Our website does not tell a visitor what to do next”

    Visitors see projects and a name, but no line says which enquiries we take, what to send us first or whom to call. The visit ends with admiration and no enquiry.

  • “Clients cannot see what our fee is built from, so they compare a single number”

    Even a rough explanation of what the fee or quote covers is missing from our website and our conversations. The figure a buyer can ask for first becomes the one compared, and the lowest starts to look like the answer.

  • “We are brought in after the choices that shape our work are made”

    By the time we are called, the decisions we could have influenced are fixed, and the task becomes matching someone else's plan. Earlier contact with whoever decides would change what we are asked to do.

  • “Our credentials are not where a buyer looks”

    Before a first call a buyer looks for reviews, registrations and company details. Where those are thin or missing, a well-run practice looks small.

Where to start

What to fix first in architecture, interior & design.

In the order we would look at them. Your own enquiry records may change the order, and we would say so.

  • Rebuild the portfolio around project types, with the size, brief and what the client asked for written beside the photographs, or beside the model or audit where the work cannot be photographed.
  • Follow up every open quote or proposal by phone, and note the reason when a client says no.
  • Keep a simple record of where each enquiry came from, and thank the architects, builders and past clients who send work.
  • Put a plain explanation of how fees or costs are built on the website, with ranges by type of project where an honest range exists.
  • Complete the public listings buyers check, with registrations and project information, and ask finished clients for a review at handover. Where clients visit a studio, add the Google Business Profile with its address.
  • Introduce yourself to the people who bring you in, with a short note on what you handle at which stage and what you need from them.

FAQ

Questions about architecture, interior & design.

Not here? More answers, or ask on WhatsApp.

Should a practice put project costs on the website?
A range by type and size of project helps buyers decide whether to call. With no figure at all, a worried buyer has nothing to weigh. Say what is included and what changes the figure.
How do we get appointed earlier in a project?
Find out who actually chooses you and when that choice is made, since it can fall well before the end client hears of you. Introduce yourself before then with a short note on what you solve at the early stage, and one example of a problem caught early.
Is social media worth it for our practice?
Where the work can be photographed it shows taste, but a client needs more before calling: the type of project, a place to see more, and proof from past clients. Link images to project pages and reviews. For work nobody can photograph, a short write-up of a problem solved does the same job.
What makes a portfolio persuade a client?
A client looks for a project like theirs. Group work by project type, say what the brief was, show before and after where possible, and state the size and setting. Where work is not visual, describe the problem and what was found or fixed.
How should we handle a client who goes quiet after a visit, meeting or proposal?
Follow up with something useful, such as a revised option or an answer to a question they raised. Keep a record of the date and the last concern, so each call picks up where the last one ended.
How long is the contract?
The term is agreed in writing after we have spoken, along with the fee and the reporting. It is never a default twelve months, and renewal is decided on the numbers against the baseline recorded at the start.
How soon will we see results?
It depends on what is being changed and how many of the people who matter see it. After we have read your brief and spoken to you, we say what we would expect to move first and how it will be measured against the baseline. Nothing here is guaranteed.
Who will actually do the work?
The person you speak to before anything starts. We work from one office in Nagarbhavi, Bengaluru, with no account managers in between.
What do you need from us?
Your brief, and a conversation. After that, access to whatever the work touches, such as your profiles, your website or your accounts, and time with the people who can answer our questions.
What if we are not happy with the work?
Tell us and the plan changes. Everything is reported against the baseline, so a number that is not moving is visible to both sides. The term is in your written scope, and the refund and cancellation policy sets out the rest.

Your brief

Tell us what you need, and we will read it before we call.

Eight short steps about your business, what you want and who decides. Most questions are a tap, and you can skip any you would rather answer on the call.

Your next practical step

Tell us what you are trying to grow, and we will read it before we call.

Eight short steps, mostly taps. Skip anything you would rather answer on the call.