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GullySales

Advertising budget planning · Marketing

An advertising budget is three budgets, and two of them arrive late.

Marketing budget optimisation looks at everything marketing spends and moves money between channels on what each returns. Sales and marketing budgeting settles the split between the two departments. This page is the narrow one inside both: the money going into paid advertising, and how it is divided after that total is agreed.

Scope, fee, reporting and term are agreed in writing after we have read your brief and spoken to you.

Editorial illustration for Advertising budget planning

In one paragraph

Advertising budget planning decides how much of your money goes into media space, how much into producing the advertisement itself, and where it sits across the year. GullySales plans it against a floor for each medium, so the budget buys one campaign people register rather than a token presence in five places.

Most advertising budgets are approved as a single figure, and that figure is the media cost. Then the flex has to be printed, the film has to be shot, a creator wants a usage fee, and the reprint after the address changed comes out of somewhere. Production is a separate line and it is bigger than owners expect.

The other mistake is spreading it. A budget of ₹3 lakh split across five media buys nothing in any of them, because each medium has a level below which nobody registers the advertisement. So we start at that level and work up.

The problem

Does this sound like your business?

What owners tell us on the first call, in their words.

  • “We approved the budget and then the printing bill arrived”

    The number signed off was the cost of the space. Artwork, printing, a film, a photo shoot and the reprint when the landline changed were never inside it.

  • “The money is spread so thin nobody sees any of it”

    A little in the newspaper, a little on a hoarding, a little on radio. Each sits below the level at which that medium does anything, so the whole budget buys awareness of nothing.

  • “Half the year went in the first two months”

    Front-loading feels decisive in April. By October, when your buyers are actually shopping, there is nothing left to book the festive slots with.

  • “The rate moved between the plan and the booking”

    Festive weeks and event periods are quoted higher, and a plan built on off-season rates does not survive a Diwali rate card. Nothing had been held back for the difference.

What we do

Everything that is included.

Each deliverable, and what it gets you. Nothing here is an extra.

  1. The three lines, separated

    Media, production and our fee written as three figures rather than one, so approving the campaign is not approving a surprise in month two.

  2. Floor per medium

    What each medium needs before it does anything at all. A hoarding wants a full display cycle, radio wants a burst rather than a scatter, and a creator has to be paid for usage as well as the post.

  3. Month-by-month flighting

    Where the money sits across the year, built around your season. Everyone calls a builder after the rains and nobody calls in June, and the plan should look like that.

  4. Rate assumptions in writing

    The rate each line is planned at, and whether it is an off-season or a festive quote, so a change shows up instead of being absorbed quietly.

  5. Production schedule and its cost

    When the film, the flex or the photographs have to exist, and what each takes out of the budget before any space is booked.

  6. A reserve you do not touch

    A held-back share for the reprint, the extra cut of the film and the site that has to be replaced. Campaigns without one stop halfway through a cycle.

  7. A reporting route per line

    A campaign number, code or landing page attached to each line of spend at the planning stage, so next year's budget is argued from evidence.

How the result is measured

  • Budget committed against budget planned, by month
  • Production cost as a share of total advertising spend
  • Rate booked against the rate the plan assumed
  • Enquiries and orders traced to each line of spend
  • Money left unbooked when the season closed

Recorded as a baseline before work starts, so every later report has an honest comparison.

Who it is for

This is written for you if these sound familiar.

  • Owners approving an advertising figure for the year with no idea what production will take out of it
  • A business that advertised in five places last year and cannot say which one was worth repeating
  • Family firms whose festive months are the months that matter, with a budget still divided evenly by twelve
  • Dealers and showrooms given a co-op budget by the principal company with conditions attached to how it is spent
  • Anyone whose agency quotes the retainer and the media spend as one number on one invoice

Not for

It is not the right fit if.

  • Businesses running only self-serve digital campaigns, where spend changes on a Monday morning and nothing is booked in advance
  • Anyone who wants a percentage of turnover to advertise on, because that figure is not the same for a dental clinic and a pipe manufacturer
  • A first campaign with no agreed goal, which needs the strategy settled before there is a budget to divide

How it works

From your first message to the first report.

No open-ended retainer. Every step gives you something in writing.

  1. First

    Your brief

    You tell us what you need in a few short steps: your business, what you want, where enquiries come from and how they are handled.

  2. After the brief

    A conversation and a written scope

    We read it, then talk with whoever handles your enquiries. If you want our help, the scope, the fee and the reporting come in writing, and nothing starts before you have read them.

  3. Before work starts

    Baseline recorded

    The numbers this work is meant to move, such as enquiries, quotations, orders, visits or renewals, written down so every later report has an honest comparison.

  4. After the baseline

    The first fix goes live

    The fix we agreed to start with is put in place and measured against the baseline, whether that is a reply, a follow-up, a page, a listing or the handover between marketing and sales.

  5. As agreed

    Report against the baseline

    What moved, what did not, and what changes next, in plain words. How often you get it is set in writing before work starts.

  6. At renewal

    Renew on the numbers

    The term ends and you decide whether to continue from the results. The length is agreed in writing before anything starts.

How the advertising budget planning work runs

  1. 1

    Start from the calendar

    We list what has to happen this year: the launch, the season, the exhibition, the month your buyers decide. The budget follows that, not the financial year.

  2. 2

    Price each medium at its floor

    For every medium on the table we work out the least it takes to be worth buying, then drop the ones this budget cannot reach properly.

  3. 3

    Split media from production

    Artwork, film and print costs are quoted beside the space itself. Nothing is approved as media and paid as production.

  4. 4

    Flight it across the months

    Money is placed in the months it earns, with festive and event rates carried at their real level rather than the off-season one.

  5. 5

    Review and move it

    The report sets enquiries and orders against what was spent where. A line that is clearly not paying gets cut and the money moves while there is still a year left.

Why us

Why owners pick GullySales over an agency.

  • Marketing and sales, as one job

    Most agencies stop at the enquiry. We also fix what happens after it: the reply, the follow-up, the quote and the CRM.

  • The person on the first call does the work

    No account managers in between. You are never handed to someone you have not met.

  • A baseline before anything starts

    Your numbers are written down on day one, so every later report compares against something honest.

  • The fee in writing, split three ways

    Our time, your media spend and production on separate lines. You always see what goes to us.

  • No guarantees we cannot keep

    The term is agreed in writing and never a default twelve months. We never promise a ranking or a lead count, because nobody controls those.

  • One office, and we say so

    Nagarbhavi, Bengaluru. We work across India by call and WhatsApp and travel when a session needs to be in person.

#257, 3rd floor, Sri Nanjundeshwara Complex, Nagarbhavi 8th Block, Outer Ring Road. How we work.

Engagement options

Ways to work with us.

Pick the size of commitment that fits. Every option starts with your brief and a conversation.

  1. Option 1

    The conversation on its own

    A call after you send your brief. It says honestly whether you need outside help, and many fixes are ones your own team can make.

  2. Option 2

    One fix, scoped

    Start with the fix that matters most, such as reply time or follow-up. The fee is in writing before anything starts.

  3. Option 3

    An ongoing programme

    We run the work, report against the baseline, and you renew on the numbers. The term and the reporting are agreed in writing first.

  4. Option 4

    Guidance for your own team or agency

    We plan, brief and check the work of your in-house team or current agency, instead of replacing them.

Your brief

Tell us what you need, and we will read it before we call.

Eight short steps about your business, what you want and who decides. Most questions are a tap, and you can skip any you would rather answer on the call.

FAQ

Questions owners ask before they call.

Not here? More answers, or ask on WhatsApp.

What percentage of turnover should we spend on advertising?
No percentage is right for you. A dental clinic with one chair and a pipe manufacturer selling through dealers have different economics, and a borrowed benchmark only makes the wrong number feel official. We start from what you need to sell and what the media to do it actually costs.
Why insist on a minimum for each medium?
Because most media do nothing below a level. A hoarding needs a full display cycle for the same commuters to pass it several times, and a handful of scattered radio spots is not a campaign. Under the floor, the money leaves and nothing is bought.
How much should we keep aside for production?
Enough that a film, a flex or a set of photographs never comes out of the media line halfway through a campaign. The amount depends on what you are buying, so it goes into the plan as its own figure before a single slot is booked.
Can the plan change during the year?
Yes, and it should when the report says a line is not paying. What does not move without a conversation is the money held for the festive months, because those slots are booked well ahead and the rate climbs as they fill.
Is this the same as your marketing budget work?
No. Marketing budget optimisation covers everything marketing spends, including the website, content and tools. This is only the advertising money: what buys space, what makes the advertisement, and which month each rupee sits in.
How is the planning itself charged?
There is no published price. The fee is put in writing after we have read your brief and spoken to you, and sits outside the budget it is planning, so we are not paid a share of what you spend. That matters here, because a planner paid on spend has a reason to recommend more of it.
How soon will we see results?
It depends on the trade, the channel and what is already in place. After we have read your brief and spoken to you, we say what we would expect to move first and how it will be measured against the baseline. Nothing here is guaranteed.
Who will actually do the work?
The person you speak to before anything starts. We work from one office in Nagarbhavi, Bengaluru, with no account managers in between.
What do you need from us?
Your brief, and a conversation. After that, access to whatever this work touches, such as your website, your accounts or your enquiry record, and time with the people who handle your enquiries.
What if we are not happy with the work?
Tell us and the plan changes. Everything is reported against the baseline, so a number that is not moving is visible to both sides. The term is in your written scope, and the refund and cancellation policy sets out the rest.

Your next practical step

Tell us what you are trying to grow, and we will read it before we call.

Eight short steps, mostly taps. Skip anything you would rather answer on the call.