Advertising film studios · CRM
Keep every producer, brief and bid in one record the whole house can read.
A CRM for an ad film studio is a shared record of agency producers, creative heads, brand contacts, briefs, bids and outcomes. GullySales works on the fields, stages and habits that put what the executive producer remembers onto paper.
Scope, fee, reporting and term are agreed in writing after we have read your brief and spoken to you.

What CRM means
A CRM is the record where every enquiry, call and quote is kept against a customer, replacing separate notebooks, spreadsheets and memory. GullySales sets up or cleans an existing CRM and reports from it by enquiry outcome rather than by activity logged.
Last updated 18 Oct 2026.
For advertising film studios
Where it usually goes wrong, and what we would do.
“Relationships live in one phone”
The executive producer knows which agency producer likes which director. When that person is on a shoot or moves on, the knowledge goes with them. A shared record keeps the history inside the studio.
“A brief passes through stages a list cannot show”
Brief received, treatment sent, cost sent, clarification, award or loss, then shoot. A list of names cannot show which bids wait on an answer. A pipeline with those stages shows what needs a note today.
“The agency and the director are separate relationships”
A creative may love a director and not know the house. Record the director the contact asked for and the producer who handled the bid, so you can see which relationship brought the work.
“A loss carries information”
A studio that records only wins loses the evidence of what agencies value. A field for the reason lost, the house that won and any price the client shared builds a picture that sharpens the next treatment.
What we do
What we deliver for advertising film studios.
Every deliverable, what it covers for you, and the result it is there to produce. Nothing here is an extra.
Pipeline stages from brief to wrap
Stages named in the studio's own language, from first brief to delivery and payment.
Result: Each open job sits in one stage that everyone recognises.
Contact records
Agency, role, city, directors they have asked for and films they have commissioned, held for each producer and creative head.
Result: A new team member can read a contact's history in one place.
Bid log linked to the treatment library
Each bid entry carries its treatment, cost sheet and outcome, with the reason when lost.
Result: Every bid can be found with its documents.
Reminder rules
Prompts on each open bid and each past client when a campaign season nears, assigned to a named person.
Result: Open bids show who owes whom a reply.
Tool choice and import
A choice between a shared sheet, Zoho CRM or HubSpot, fitted to the studio's size, with existing contacts cleaned and imported.
Result: Contacts sit in one list with no duplicates.
How the result is measured
- Enquiries logged in the CRM
- Data completeness
- Reports generated from CRM data
Recorded as a baseline before work starts, so every later report has an honest comparison.
Who it is for
This is written for these advertising film studios.
- Full-service ad film houses with a director roster
- Boutique production houses led by one director
- Digital-first film studios making social and performance ads
- Product and food film specialists
- Corporate film and brand documentary studios
- Production service companies that execute for agency-led shoots
- Fashion and lifestyle ad film houses
- Regional-language ad film studios
How it works
How the CRM work runs
The work itself, in order. How an engagement starts, from your brief to a written scope, is set out on our method page.
- 1
Map the sales process
We record how a deal actually moves from enquiry to close in your business today.
- 2
Configure stages and fields
The CRM's pipeline and fields are built to match that process exactly, not a generic template.
- 3
Set up automations
Reminders, assignment rules and follow-up triggers are configured so routine steps happen without manual effort.
- 4
Test with real deals
We run the configuration against actual current deals to catch gaps before the whole team relies on it.
Where this fits
Three pieces of sales work, in this order.
This work sits inside sales management. A target, a review routine and someone who owns the number.
Step 1
Sales audit
Find where deals are being lost and what to fix first.
Start here if you cannot say where orders are lost.
Step 2
Sales process design
One written way to sell, from first enquiry to repeat order.
Start here if every salesperson sells differently.
Step 3 · you are here
Sales management
A target, a review routine and someone who owns the number.
Start here if the team has targets and no routine.
FAQ
Questions owners ask before they call.
Not here? More answers, or ask on WhatsApp.
Is a spreadsheet enough?
Who should update the record?
How much does it cost?
How long is the contract?
How soon will we see results?
Who will actually do the work?
What do you need from us?
What if we are not happy with the work?
More for advertising film studios
Everything else we would do for you.
Closest to this: leads and follow-up
Also for advertising film studios
Or start from the overview: sales and marketing for advertising film studios.
Your next practical step
Tell us what you are trying to grow, and we will read it before we call.
Eight short steps, mostly taps. Skip anything you would rather answer on the call.