VFX studios · CRM
Keep every supervisor, producer and bid in one record the whole studio can read.
A CRM for a VFX studio is a shared record of people, productions and bids, so that no contact lives only in the founder's phone. GullySales works on the fields, the stages and the habits that keep it current.
Scope, fee, reporting and term are agreed in writing after we have read your brief and spoken to you.

What CRM means
A CRM is the record where every enquiry, call and quote is kept against a customer, replacing separate notebooks, spreadsheets and memory. GullySales sets up or cleans an existing CRM and reports from it by enquiry outcome rather than by activity logged.
Last updated 18 Oct 2026.
For VFX studios
Where it usually goes wrong, and what we would do.
“Relationships sit in one head”
The founder knows which supervisor moved to which series. When that person is away, nobody else can place the call. A shared record of who knows whom and where each person works now lets the studio act without waiting for one memory.
“A bid is a project with stages, not a phone call”
A request arrives, a bid goes out, questions come back, and shots are awarded or lost. With no stages, a bid that stalls disappears into the inbox. A date on each stage shows which bids need a note today.
“People change productions, so records go stale”
A supervisor on a series last year is on a feature now. A record keyed only to the production holds an old contact. Storing the person, the current project and the date it was last confirmed keeps the entry worth opening.
“Loss reasons are the best market research”
Why a shot package went to another house is a fact no report offers. Logged at once from a short pick-list, it shows patterns in price, schedule or shot type that nobody in the studio would otherwise remember.
What we do
What we deliver for VFX studios.
Every deliverable, what it covers for you, and the result it is there to produce. Nothing here is an extra.
Contact and production fields
A short set of fields for the person, the current production, the shot types they buy and the last date confirmed.
Result: Every contact shows a current project and a confirmation date.
Bid pipeline stages
Request received, bid sent, clarifications, awarded and lost, with a date on each move.
Result: Each open bid has a stage and a date it last moved.
Award and loss reasons
A pick-list for the reason a bid was won or lost, filled in when the answer arrives.
Result: Every closed bid carries a reason.
Reference tracking
Which referees have agreed, for which shot types, and when they were last asked.
Result: A referee for each shot type is on file.
Contact import
Contacts gathered from phones, email and old bid sheets into a single clean list.
Result: One list replaces three scattered ones.
Update rules
A one-page note on who adds a contact and who logs a bid outcome.
Result: Each entry has a named person responsible.
How the result is measured
- Enquiries logged in the CRM
- Data completeness
- Reports generated from CRM data
Recorded as a baseline before work starts, so every later report has an honest comparison.
Who it is for
This is written for these VFX studios.
- Compositing and cleanup studios for features and series
- Studios specialising in environments and set extension
- Creature, character and simulation studios
- Studios doing advertising VFX and product CGI
- Roto, paint and prep outsourcing studios
- Virtual production and LED-stage service providers
- Studios offering stereo conversion and finishing
- Boutique studios that supervise on set and deliver in post
How it works
How the CRM work runs
The work itself, in order. How an engagement starts, from your brief to a written scope, is set out on our method page.
- 1
Map the sales process
We record how a deal actually moves from enquiry to close in your business today.
- 2
Configure stages and fields
The CRM's pipeline and fields are built to match that process exactly, not a generic template.
- 3
Set up automations
Reminders, assignment rules and follow-up triggers are configured so routine steps happen without manual effort.
- 4
Test with real deals
We run the configuration against actual current deals to catch gaps before the whole team relies on it.
Where this fits
Three pieces of sales work, in this order.
This work sits inside sales management. A target, a review routine and someone who owns the number.
Step 1
Sales audit
Find where deals are being lost and what to fix first.
Start here if you cannot say where orders are lost.
Step 2
Sales process design
One written way to sell, from first enquiry to repeat order.
Start here if every salesperson sells differently.
Step 3 · you are here
Sales management
A target, a review routine and someone who owns the number.
Start here if the team has targets and no routine.
FAQ
Questions owners ask before they call.
Not here? More answers, or ask on WhatsApp.
Which CRM should we use?
Is it safe to keep client details in a CRM?
How much does it cost?
How long is the contract?
How soon will we see results?
Who will actually do the work?
What do you need from us?
What if we are not happy with the work?
More for VFX studios
Everything else we would do for you.
Closest to this: leads and follow-up
Also for VFX studios
Or start from the overview: sales and marketing for VFX studios.
Your next practical step
Tell us what you are trying to grow, and we will read it before we call.
Eight short steps, mostly taps. Skip anything you would rather answer on the call.