VFX studios · Digital marketing
Join the site, the reels and the outreach into one plan for those who award shots.
Digital marketing for a VFX studio is the set of channels that carry its reels and credits to supervisors, producers and overseas firms: the website, search, LinkedIn, email and messaging. GullySales works on how those channels fit together and which are worth the studio's time.
Scope, fee, reporting and term are agreed in writing after we have read your brief and spoken to you.

What digital marketing means
Digital marketing is the combined work of search, social media, advertising and website channels running together rather than as separate projects with separate people. GullySales runs these as one connected system so a change in one channel, such as a new offer, is reflected everywhere at once.
Last updated 18 Oct 2026.
For VFX studios
Where it usually goes wrong, and what we would do.
“Reach is the wrong target”
A studio sells to a short list of known roles. Broad advertising spends money on viewers who cannot award a shot. The effort belongs with named people on a list and with the places they look when a recommendation needs checking.
“Paid advertising has a narrow use here”
A paid campaign aimed at job titles on LinkedIn can put a reel in front of a producer who has not heard of the studio. It does not replace the introduction or the capability pack. Use it to carry one reel to one list, and stop when that list is covered.
“Every channel should point to one bid route”
A supervisor who finds the studio through LinkedIn, search or an email should land on the same capability pack and bid form. Separate routes with different details confuse the buyer and fill the studio's own inbox with half-formed requests.
“Domestic and overseas buyers need separate messages”
Domestic buyers care about shot type and who else has used the studio. Overseas firms care about security, pipeline and time zones. One plan with two tracks avoids a generic message that suits neither.
What we do
What we deliver for VFX studios.
Every deliverable, what it covers for you, and the result it is there to produce. Nothing here is an extra.
One-page channel plan
A plan that names each channel, the buyer it reaches, the asset it carries and the person who looks after it.
Result: Every channel has a buyer, an asset and an owner.
Bid route map
A diagram showing how a visitor from each channel reaches the capability sheet and the bid form.
Result: Every channel ends at the same bid form.
Introduction email
A short email to a named list of supervisors and producers, with the capability sheet and the matching reel.
Result: Each recipient is a person on the list, not an address bought in bulk.
LinkedIn presence
A studio page and a set of lead profiles with consistent descriptions and a link to the capability pack.
Result: A visitor finds the same description on every profile.
Overseas track
A separate set of pages and notes for foreign producers and services firms.
Result: Foreign buyers have their own pack and their own page.
Measures sheet
Bid requests by source, replies to outreach and awards against bids.
Result: The sheet shows which channel produced which request.
How the result is measured
- Enquiries across channels
- Cost per enquiry overall
- Channel mix by contribution
Recorded as a baseline before work starts, so every later report has an honest comparison.
Who it is for
This is written for these VFX studios.
- Compositing and cleanup studios for features and series
- Studios specialising in environments and set extension
- Creature, character and simulation studios
- Studios doing advertising VFX and product CGI
- Roto, paint and prep outsourcing studios
- Virtual production and LED-stage service providers
- Studios offering stereo conversion and finishing
- Boutique studios that supervise on set and deliver in post
How it works
How the digital marketing work runs
The work itself, in order. How an engagement starts, from your brief to a written scope, is set out on our method page.
- 1
Understand the objective
We agree the one thing this campaign needs to achieve before choosing any channel.
- 2
Audit available channels
We assess which channels are realistic to run well within the budget and timeline.
- 3
Strategise the central idea
One message and offer is developed that will work across every planned channel.
- 4
Implement across channels
Each channel receives its own adapted version, launched on a shared timeline.
- 5
Measure as one campaign
Results from every channel are combined into a single report against the original objective.
Where this fits
Three pieces of sales work, in this order.
This work sits inside sales process design, at stage 0, foundation. The audit comes before it, and sales management keeps it running.
Step 1
Sales audit
Find where deals are being lost and what to fix first.
Start here if you cannot say where orders are lost.
Step 2 · you are here
Sales process design
One written way to sell, from first enquiry to repeat order.
Start here if every salesperson sells differently.
Step 3
Sales management
A target, a review routine and someone who owns the number.
Start here if the team has targets and no routine.
FAQ
Questions owners ask before they call.
Not here? More answers, or ask on WhatsApp.
Do we need a large budget?
How will we know it works?
How long is the contract?
How soon will we see results?
Who will actually do the work?
What do you need from us?
What if we are not happy with the work?
More for VFX studios
Everything else we would do for you.
Closest to this: strategy and research
Also for VFX studios
Or start from the overview: sales and marketing for VFX studios.
Your next practical step
Tell us what you are trying to grow, and we will read it before we call.
Eight short steps, mostly taps. Skip anything you would rather answer on the call.